One book down, another five or so to go; As we switch between books, I thought that I might use this blog post to touch upon Open Code and Open Societies, a short article I just read that examines the detrimental affects of a society shifting towards closed source content on the internet. In it, Lawrence Lessig claims that copyright, which used to be employed solely to inhibit wrongful distribution of a work, is now exploited to enact a monopoly on the spread of information across the internet. The reason I find his idea compelling, is because it is true; Every time we pull data from the internet, we have to jump through a series of small hoops, designed by the author to prevent others from using the information for their own personal use.
Heck, even to publish the copyright symbol at the top of this post, I had to go to a media commons (a website where most, if not all items are free of copyright), find a picture, and then comply with all the author’s usage requests (i.e. attribute the picture in their name, don’t misuse the information, etc.). Luckily, however, because the symbol is so widely used, I was able to avoid the author’s requests and copyright infringement altogether.
This leads me to ask ‘how did copyright laws become so stringent?’ According to Lessig, it started when a group of “well paid Chicken Littles” began whispering in Congresses ear the damage that the internet revolution could have on copyright (Lessig 8). Paid by Hollywood for reasons not quite known, these mischievous people wanted a way to distribute their content without losing control. Eventually, the influence they put on Congress led to the Digital Millennium Copyright Act, which added more regulations to the already complex copyright code (Lessig 9).
With further protection under the law, authors were able to completely control who was able to view and use their work, creating a monopoly on the content. To take an example from Lessig, DVD’s provide for an excellent demonstration of this. Pretend you just bought the latest season of House MD, and you are about to watch it on your laptop. You slide the disk into the computer, and the first episode starts to play. While you are watching, your computer is using a program to continuously break the simple CSS encryption algorithm that protects the data on the DVD (Lessig 9). The program, however, is licensed to manufacturers of Windows computers and Macintosh only, so if you are running a different operating system (say Linux), you are theoretically breaking the law. At least that’s how it used to be. Today, the CSS code-breaking program is licensed to more manufacturers, but that’s not the point. The point is that at one time, there was a monopoly on the CSS program, one that was created by copyright laws.
While there isn't much hope of counteracting the copyright laws now that they are already in place, Lawrence Lessig challenges us as users of the internet to "resist this closing of the Internet's mind" (Lessig 14). The goal is to get people to see the balance point between open source content and someone's property. In the past we have almost always found the balance point, yet with the internet revolution on the rise, how much longer will we be able to maintain the equilibrium?
Works Cited:
- Lessig, Lawrence. "Open Code and Open Societies." Address. Free Software -- a Model for Society? Tutzing, Germany. 1 June 2000. Lessig. Lawrence Lessig, 1 June 2000. Web. 26 Jan. 2011. <http://www.lessig.org/content/articles/works/opensocd1.pdf>.
- Waldir. File:Copyright.svg. Digital image. Wikimedia Commons. Wikimedia Foundation, 23 June 2009. Web. 26 Jan. 2011. <http://upload.wikimedia.org/wikipedia/commons/b/b0/Copyright.svg>.